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By Melissa A Vitale This won’t be a listicle with short answers to the most common questions a publicist gets asked; rather this article will seamlessly link to the most asked questions, and their corresponding blog posts already on MAVPR under our Public Relations FAQ. Over the years, I’ve gotten tons of questions from people who seek quick answers from a publicist that are too nuanced to be picked up in google. When I get a couple of these, I usually turn it into an opportunity to update my blog. It’s been a couple years since I started organizing the blog and didn’t plan for the volume of articles 2020 would give me time to pen. So, here are some commonly asked questions about Public Relations and links to a corresponding blog post with my answer. Am I/Is my brand ready for PR? Been thinking about PR but not sure if you’re ready for a publicist? My inaugural blog post reviews how to tell Is Your Brand Ready for PR? Make sure to check out The Pre-PR Checklist below to have everything ready for day one of PR! What’s the difference between a PR agency and a PR freelancer? Both agencies and freelancers can propel a brand forward on a desired budget. Find out which is right for you in Public Relations Agency vs. Independent Publicist. What are the expectations of a public relations campaign? So often, PR agencies provide vague sets of expectations. Wondering what’s going to happen during a public relations campaign with MAVPR? Check out What to expect from a Public Relations Campaign. Why does Public Relations have minimum retainers? For those curious about how publicist set their minimums, read through Why Public Relations Retainers Have Minimums. How does a publicist actually get results? You follow your publicist on Instagram and damn, she socializes a lot during the workday. Learn how it all fits into place in What does your publicist actually do? Why wasn’t the article I was mentioned in exactly how I imagined in when I was interviewed? You talked with a journalist for 50 minutes and they included a ten-word quote in an article; you sent in 15 hrs of b-roll for a 45 second clip. These are just one of many Things a Publicist Cannot Control. Why didn’t I see any results in the first month of PR? You spent a hefty first-month’s retainer – surely New York Times wants to profile you by now… right?? Learn more about Why does Public Relations take so long? Does a slow month mean my campaign is failing? Public relations is typically at the mercy of editorial calendars and seasonal conversations. In terms of published articles, A slow month of coverage does not equal a bad PR Campaign. Why wasn’t I given photo credit for a photo I helped create? You modeled or took a photo for a brand and when your image is in Forbes, you’re not credited. Why wasn’t I credited for my photo in that article? Where is that article I was quoted in? Connected to a journalist for a story opp and wondering where it is? Here’s how to find out when it was published - Where is the story I was included in? Other helpful links: Types of Coverage reviews the different types of coverage that can arise from a public relations campaign. A Running Glossary of PR Terms helps decipher commonly used terms by public relations pros. The Pre-PR Checklist guides brands through everything you need to kick off a PR campaign with a bang. Importance of Sharing Media Coverage provides tips on social media driven media relations. For vice brands looking to explore cost effective public relations packages, learn more about MAVPR via: melissaavitale.com/services.html
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Alt Title: Why there's more coverage the longer the PR campaign By Melissa A Vitale There are days I think a tattoo on my forehead “Public relations is the least immediate of all marketing” would make my life so much easier. Because public relations hinders on placing clients in existing and forthcoming editorial coverage without advertising budgets, press coverage comes when the opportunities align with the brand’s expertise and mission. Unlike social media which can lead to traffic in a matter of weeks, or digital advertising which can drive sales in days, public relations can take months before there are any results in the form of published stories. There are rare publicists who promise results that never arise but rack up months of retainers before the brand severs the deal. It’s for this reason PR can get a murky rep as being one of those industries where investment can be a gamble. After three years, I’ve nailed down what a concrete set of expectations of brands can expect upon working with my brand of public relations over the course of a campaign. Please note, all PR agencies and freelancers are different and this summary only applies with certainty to MAVPR’s Public Relations Campaigns. First Month Your first month of PR is heavy with confirming messaging. You’ll want to allow your publicist a reasonable amount of time to plan for how they want to position the brand. MAVPR takes about 2-4 weeks to draft a messaging book (a typically 4-8 page document with all the brand’s storylines, spokesperson topics of expertise, bios, boiler plates, etc) during which time we start to introduce a brand to our close contacts to get a sense of the media appetite for the brand, and which areas will draw the most buzz. By the end of the first month, a brand will be introduced to key media and will have months-worth of press storylines that will be turned into countless pitches over the coming months. In the case of buzzworthy brands, must-have product and in-demand expertise, press opportunities may come through in the first month but its more common that the first published stories come in the second month. Second Month The second month you're seeing the opportunities come in. Depending on how quickly the campaign was able to mobilize, you'll have pending placements, and loads of pending interest. There are potential opportunities and there are opportunities that should be coming out in the coming weeks. Thanks to editorial delays, there may still not be any published coverage by month two, but you know that there is coverage coming ad have an idea of what it looks like. By this time, you may have been interviewed, provided a quote or may have sent some samples for a specific story consideration. Third Month By now you’ve gotten your first published press with your publicist. The press opportunities are starting to be more regular. Of course if you had a newsworthy announcement in the first three months, these expectations are different with a full feature, potentially a wire release (brand decision) and ensuing pickup the month of the announcement. Months 4-6 By now coverage is starting to appear steady. You should be getting at least two placements per month at this point and it can range upwards of 5-8 placements a month depending on the brand’s industry, products available and areas of expertise. There are probably even repeat opportunities from the same journalist or editor. Months 6-12 After 6 months the brand should be hitting the expectations of the account each month. MAVPR’s expectations range between 2-6 and 2-15 placements per month (retainer dependent). This time you usually see more standalone stories than inclusion and commentary. After 6 months, be aware that a month with less coverage compared to the month previous does not mean the PR campaign is failing. Some months, editors need to hold certain topics to continue to drive traffic to those topics in the coming months, especially if they are planning a seasonal push on a certain topic. As long as an account is falling within expectations of an account the public relations account is still progressing even with a slow month. By this time, you’ll have at least doubled your investment when measured in the amount of ad value your campaign has earned. After 12 months Your PR campaign hasn’t just gained momentum, it has a life of its own. Not only are there fresh stories being initiated by your publicist, but you’re also getting incoming requests from press who have mentioned or considered the brand previously. The ad value return for this time can be as high as sixteen times the investment. Some clients have seen over 1000% of returns of ad vale compared to their monthly retainer. Every subsequent year When brands engage in public relations years at a time, they are not only introduced to new editors, they also are kept on the radar of journalists who have written about them in the past. Therefore, press typically doubles in volume for every year you engage with public relations. My client who has been with me since early 2017 has seen over $570,000 in earned ad value so far for the year, by July 2020 with a potential 1.5 billion consumer reach. The longer a PR campaign and the more hours put into publicity efforts, the more editors and journalists who are introduced to a brand and the more editorial opportunities that arise with the brand already in mind. Its wiser to strategically introduce a brand to journalists as the company’s developments align with their area of coverage. Continued media relations momentum and strategy ensures that a brand stays on the radar of key press with fresh stories and topics that editors want to greenlight. For vice brands looking to explore cost effective public relations packages, learn more about MAVPR via: melissaavitale.com/services.html
By Melissa A Vitale If you’ve ever had a publicist or anyone strongly urge sharing of a coverage you’re included in, you may have asked yourself “is sharing media coverage important? Listen, there are absolutely no rules that you have to share media coverage that includes you. Just like there are absolutely no rules that you need to send a thank you note when someone gives you a gift. However, it can be beneficial to not only share the article on your personal and brand’s social media and tag the journalist who wrote the article. First and foremost, sharing an article with your audience can keep them updated with the recent praise of the company. Many social media followers for brands are potential customers, not current customers. A rave review from media can be the turning point in the purchase decision-making process. While press is never measured in sales, press when used in a strategic marketing funnel utilizing social media can drive more sales than social media on its own without coverage. For avid fans of the brand, a glowing review of a brand by an industry thought leader can be something that they share to their audiences to showcase their support. The sharing and subsequent resharing of an article doesn’t just boost your traffic, it also drives traffic for the journalist and media outlet. If the writer is a freelancer, this can help them win future commissions, citing high share-rates and reader traffic as a competitive advantage. Some staff writers have quotas for social shares that they need to meet monthly, or internal competitions for article views. Therefore, sharing the article can help the publication and writer who mentioned the brand as much as the brand itself. When you share an article you’re mentioned in, it’s recommended you mention the journalist and publication in the share. This drives social traffic to their platforms and can also help build media relations between a brand and a journalist. When you receive a hand-written note for a trinket you picked up thinking of someone, you’re more likely to repeat the act again the next time something they’ll like catches your eye. While it’s not mandatory to share a media article, sharing the article can build goodwill with writers who may be inclined to mention a brand again if another relevant topic arises. For vice brands looking to explore cost effective public relations packages, learn more about MAVPR via: melissaavitale.com/services.html
By Melissa A Vitale Like any industry expert, I find myself constantly in need of a glossary of some of the most-used terms of media relations. I’ve started a running glossary of PR terms that I anticipate to be updated as more come to mind. Public Relations: The dictionary defines this one as “the professional maintenance of a favorable public image by a company or other organization or a famous person.” Which doesn’t totally answer what exactly is public relations. Many PR firms have grown to include advertising, digital and social media marketing, but more focused public relations focus on press and public events. Most public relations agencies focus on garnering earned press coverage. Read on for what that means! Press: Coming from the term Printing Press, the press embodies any type of regular publication or news outlet. Examples are most often reporters, news channels, broadcast and radio news and talk shows, magazines, newspapers, industry publications and journals, regional magazine networks, magazine publishing houses, and even new media types like social media outlets, podcasts and blogs. Coverage: Short for media coverage, these are the results of PR campaigns often in the forms of digital or print articles in major-name news publications. See below for types of coverage. Earned / Organic Media: At its most basic definition, this is coverage that is secured without additional costs outside the publicist’s retainer. Some mentions of brands in stories or listicles are only included because the brand paid the publisher top dollar. Outlet of traditional print and web banner adds, advertising departments target ad-adverse consumers with advertorials – advertisements that look like articles. Basically, there are a lot of ways for a brand to end up on a magazine’s website or in the pages, but not all of it goes through the editorial department. Therefore, publicists specify the work we do as earned media or because we work with editors and writers to include our clients without paying advertising fees. Media Relations: How do publicists get that earned media you ask? Through media relations! If you’ve ever seen a show about a publicist, you know their network is everything. Our job is to maintain relationships with press and act as a reliable source. It’s a two-way street here journalists seek out publicists for reliable sources and latest products, while publicists benefit from the inclusion of their clients. Secured coverage: Coverage doesn’t just come overnight! Often times, publicists know about pending coverage in advance. When an article is confirmed but not published yet, it’s under secured coverage. PR Campaign: The course of a PR engagement. Publicists refer to this as a campaign because of the months-long and season-intersecting strategy that needs to go into play. When you publicize and represent a brand, you rep then for a length of time that may have multiple seasons that the brand is relevant. For a CBD lubricant brand, this brand could be popular for April’s 4/20 and May’s Masturbation Month so the publicist needs to plan pitches as early as January for 4/20 and February for Masturbation month and pitch them both up until the respective news cycle has passed. PR Campaigns can also be launched for individual launches or announcements. Retainer: The amount of money you pay a publicist per month. PR is like lawyers where you pay a retainer upfront; there is no Net 30 in PR. The retainer includes pitching, media relations and representation along with traditional services like media training which result in media coverage Minimum retainer: The minimum amount a publicist or agency will onboard a client. For freelancers this could be as low as $500 while agencies can start at $3-5K and go up to $25K as a minimum retainer Representation: Once you pay a publicists retainer, you are under their representation. Publicist often have meetings with top tier journalists and editors. Once you pay their retainer, your brand is going into those meetings through the publicist. You may have just started your PR campaign, but your publicist has a monthly breakfast with TODAY’s associate producer; your brand is in the eyes of the TODAY show the first week. That’s representation. Placement: Another word for coverage, the result of the PR campaign Pitch: Verb and Noun. You can pitch a journalist and you can send a journalist a pitch. This is what gets sent or spoken to a journalist to entice them to include a brand. Sometimes it’s an interesting fact like sales increases with unique causations, a seasonal inclusion (like gift guides) in stories they’re already writing, or other times it’s standalone trend stories that the brand best portrays, like a brand’s rebrand symbolizing the legitimization of a vice industry. The act of sending a pitch is the verb pitching. Pitching can also be done in person (these are some of the best ways to secure pitches IMHO) Inbound: Referred to a story opportunity that came from a journalist asking a publicist for sources that fit the topic. Publicists with multiple strong relationships often have inbound opportunities regularly so clients can see opportunities arrive even before a publicist as sent a pitch. Outbound: Referred to a story pitching that came as a result of a publicist's pitch or story idea. Exclusive: An exclusive is a story, interview or announcement that a journalist and their publication get to publish before anyone other publication Press Release: A brand approved writeup distributed to press or a newswire regarding a newsworthy company move (product release, rebrand, executive hire, partnership or event) Boiler Plate: The official general company "about" paragraph that goes at the end of every release. Typically 3-8 sentences long with links to social media for digital companies Media Contact: The name of the publicist or CMO for further queries on a press release or to set up an interview Newswire: A source of press releases that many regional and industry publications turn to for the most recent relevant news. Using a PR wire can often get a brand’s release on Yahoo, Market Watch or Business Insider Media Alert: Like a press release, but these don’t get published, they just get sent to a journalist around the time the press release hits the wire or the exclusive is published They often include a press release if there is one available but press releases are not necessary for a media alert. These can turn into published stories but can be valuable in keeping interested editors up to date about brand developments One-sheet: A one-page document with all the necessary at-a-glance info needed for coverage. Can be made for executive teams, companies, products or collections Outlet: News outlet, blog, newspaper, magazine, digital publication, broadcast or radio show Embargo: An agreement not to publish or release information before a specified announcement date Source: Someone who provides expert information, access or other valuable insight to journalists. Publicists are sources with their network but their clients are often considered sources. Firsthand witness: When given a tip, reporters try to find a witness to the tip. Double Confirmation: Journalists cannot just report on tips or everyone would be sending slander about celebs and politicians they hate. For scoops that press are interested, they need two confirmations or sources to cite to solidify their reporting Scoop/Tip: Sometimes I feel like media is a 1940s noir film with some of our newspaper lingo; scoop is one of them. A tip or a scoop is often advance notice of something before it's reached the general newscycle. MeToo started with a scoop about Harvey Weinstein than Ronan Farrow investigated and reporting. Media Assets: Digital and physical materials needed for a publicist to execute the campaign; headshots, product shots, lifestyle images, product descriptions, retail info, founder bios etc Editorial Guidelines: The rules that dictate what an outlet will and won’t publish. Sometimes outlets won’t include links to adult sites or brands; a certain outlet won’t feature publicly traded companies. Women’s outlets prioritize Womxn and non-binary voices over cis-male etc Editorial Calendar: A pre-decided calendar of what an outlet will focus their editorial content on each month. Can be for print and digital publications Greenlight: When the editor/producer has agreed to the commission on a pitch from a journalist. Lead-time: This is lead as in leader, not lead-balloon. This is the amount of time before a story gets published. Can vary from a few hours to six months away Long Lead: Outlets that publish in advance. Print is long lead with a typical 2-5 month lead-time of stories Short Lead: Outlets that publish with more immediate deadline. Morning news shows, digital outlets and blogs are short lead Breaking News: A national or global news story that takes over headlines and is universally covered. Celebrity deaths, marriages or births, political scandals, national or natural disasters, pandemics, social movements, and elections can all be breaking newscycles. Newscycle: The length of time a particular topic remains pressing in the news Editorial Lag, Delay, Hold: News outlets have to cover both evergreen and breaking news content. Sometimes, the breaking news overwhelms feature writers and all coverage turns to picking up the extra workload. This can put a hold on stories that were slated to publish on a certain date. These can also arise from internal disruptions like restructuring, unexpected staff departures or general shift in direction of editorial priorities. Product Request: When a company’s product is requested for consideration for a particular story that a writer is working on For consideration: If journalists and editors published stories about every product they get sent, publicists and outlets alike would be out of a job. Consumers want to see more than product recommendations and want to see a range of products. Writers are often puzzle piecing product recommendations based on a having a complimentary range of products. Therefore all product samples sent to press are always for consideration, as in its not guaranteed they’ll be included. Often times, interviews on a trend topic are often for consideration and are only used where it adds value to an article and carry the same potential to be excluded in the published article. Missed opportunity: Sometimes journalists have tight deadlines for their stories and if a brand doesn’t answer their request in time, the opportunity, while available, was missed Editorial Error: Editors are humans too. Articles get passed from writer to sometimes up to 3 editors before it gets published. Things get lost in translation – often thanks to spellcheck. In accurate information editors can usually adjust with a quick request Correction request: A submission to an editor or journalist to change information that is inaccurate in an article. On-the-record: Information available to be published Off-the-record: Information not available to be published. I’ve personally have never seen a journalist violate an off-the-record and have only heard about it in tales Recorded phone interviews: To avoid taking notes and distracting from an interview, journalists will record the conversation for their record. It will never be published in its entirety unless its previously agreed to be used for a podcast. Media Training: Interviews often have a time limit. Phone interviews can be capped at 30 minutes while broadcast can be as short as 90 seconds. That’s a short time to tell a brand story. Media training helps prep a client to be concise, to the point and ready for any questions that gets thrown at them. For those new to interviews, media training can be extensive day-long workshops. On-air Guest: The guest on a broadcast show; when in relation to PR, the client or brand rep is typically the on-air guest. On-air Talent: Typically the host or anchor but sometimes an on-air contributor Call Time: The time an on-air guest needs to be ready for an on-air broadcast Hit Time: The time an on-air guest will be on-air B-roll: The video and images about a brand or event that are showed during an extended video or broadcast interview to break up the visuals. Lower-Thirds: The bottom of the screen that rolls the title of the person speaking on a broadcast segment. Press Sampling: The best way to get a brand in front of an editor is to get the product in their hands; publicists do this thought sampling Mailer / Sendout: An often-themed way to present a new product or brand to press through sampling. For events like Pride and 4/20 these can be themed. While not guaranteed, these often have high overall success rates for inclusion Press Samples: Samples of a product that are designated to give to press. Unless the product costs more than $1,000 per unit, you can anticipate that these are for consideration and will not be returned Press Access: Press often chooses to cover one company over a competitor based on access. If cannabis farm A will give them a consumer tour but cannabis farm B will let them fly drones and take photos of the entire property, it's cannabis farm B that gets covered. Same with events where press have unfiltered access to CEOs, brand experts etc. Press Event: An event with the purpose to showcase something about the brand to the press ROS: Run of show, a who, what, when, where, why of an event News conference: an event where news is announced; can be planned or spontaneous Press List: The list of press confirmed or anticipated to arrive at an event Press Invite/Access Pass: For events, press should have separate invitations and access passes that grant them entry and deem them special access. Ad Value: Typically estimated unless PR firms have ad teams who know the actual numbers, this is the main method of evaluating the value of press coverage. Many clients want to discern an article’s success by the sales, but publicists aren’t sales associates. Instead, we look at how much money the client saved by working with us instead of trying to buy their placements through advertising options. Often times, one article in an outlet like Marie Claire or Rolling stone can be valued at more than the monthly retainer. This is why public relations is so popular for brands without extensive advertising budgets. UVMP / VMP: Unique visitors per month or just visitors per month. A method of gauging the reach of a press article. Media Kit: A 2-12 page PDF that includes images, brief written information answering the Who What When Where Why of a band for interested press. This can be sent once a journalist has interest in a brand to answer initial questions they have about the brand. Speaker Engagement: An opportunity for a client representative to speak – often in person but more recently virtual as well. Can be at an event, tradeshow, on or moderating a panel, etc. Photo Credit: Who a photo in a published article is credited too. Sometimes there are limitations on these. SEO: SEO has emerged as a dictator of headlines in recent years. Media houses have had to get creative to drive traffic to their websites to appease advertisers, keeping the lights on another day. They’re taking advantage of all of those late-night google searches that usually lead readers down a rabbit hole. “Why does my breath smell bad,” “How to regrow my hair,” “What do I do if I’m attracted to someone other than my wife”. Many media outlets have SEO teams that run reports on the most searched questions. They hand those reports over to editors who assign writers to answer those questions with an article. Instead of those millions of searches going to forums and blogs, reputable news outlets are sweeping up that traffic. Once users end up on a website, they can stay for hours on the suggested articles of the site. Media buy / sponsored content: Another form of advertising that sometimes gets crossed with PR Affiliate links: Affiliate links are more and more driving which products get mentioned in coverage or not. As subscriber rates dwindle, outlets need additional income streams to pay their staff. Affiliate links allow them to make commission on the traffic they bring to products. Types of Coverage There are three basic types of media coverage:
All three of the above can also be classified under one of the following:
For vice brands looking to explore cost effective public relations packages, learn more about MAVPR via: melissaavitale.com/services.html
By Melissa A Vitale You don’t need to work in media to know the word “exclusive” is a big term thrown about in news. Your local paper may have gotten the exclusive tip that became a national headline; your favorite newscaster may have spoken to a source exclusively. A morning talk show could have the exclusive interview with a participant to a viral news story. There may even be “[EXCLISIVE]” in the headline of a jaw-dropping story. Exclusives are sometimes so elusive that in times like this, the best way to answer this is to cite someone who said it more concise than myself…. Or in this case, the best result on my google search. Courtesy of Quora, “An exclusive is when you give only one title or publisher the story first. Sometimes you offer it, sometimes it's asked for. You would usually look to offer an exclusive if the story has high value/interest to the audience of the media you are targeting.” An exclusive is a story, interview or announcement that a journalist and their publication get to publish before anyone other publication. Often, an exclusive story is published right before a media alert by the publicist to relevant media is made and before the release goes up on the wire. Depending on the announcement and scale, an exclusive story being published, the media alert and the press release on the wire typically happen within the same morning. A well-executed exclusive can elevate an announcement beyond industry updates to breaking news. Exclusive stories can help reach mainstream audiences by captivating the timely focus of journalists already interested in a brand. What does an exclusive look like when applied IRL? A cannabis brand has a partnership that allows them to cross into state lines. The partner is publicly traded and legally obligated to notify investors within a certain amount of time of the deal, so they plan to do a press release at 9am Tuesday morning. A business magazine had accepted an exclusive on the story and will publish a writeup in their own words with original quotes from an interview that is not included in the release at 8:30am Tuesday morning. At 9:30am the same day, the brand’s publicist sends an email to as many relevant press in the brand’s network announcing the launch and offering interviews for coverage. Exclusives are most often used with announcements like product launches, partnerships, expansions or executive changes but evergreen story angles that could be seasonal or timely. Exclusives can be valuable in media relations campaign. Beyond strengthening relationships with journalists who are offered the exclusive, exclusives put a deadline on when a journalist needs to publish a story. Normally publicists don’t get to control when a story goes live; the rare exception is in the case of an exclusive. Often times, companies need to announce to investors, so press releases need to go live by a certain deadline. Thus, if the journalists wants to cover the story exclusively, they’ll need to publish before the release. What types of announcements warrant an exclusive will fluctuate with the course of the newscycle. There are seasons when a $25M funding announcement can garner the attention of Fortune, where other days, staff writers are so strapped for time that they cannot entertain raises under $5B. As I mentioned, some evergreen angles can be exclusives. If a founder has an interesting background in sex education, a journalist may want an exclusive angle on the story in September to coincide with the start of school. Other announcements that can warrant an exclusive include new product launches, new executive hires, partnerships and collaborations, expansions and sometimes, rebrands. There’s debate amongst publicists and journalists on the weight of an exclusive but when used correctly can be both beneficial to brand and writer. For staff writers who have a quota of stories to fill even on slow newsweeks and freelancers who are paid commissions for every story, an exclusive is often beneficial to the journalist writing it in addition to the exposure for the brand and the success for the publicist. That said, if you’ve ever been offered a complimentary vacation that needs to be used this weekend, you’ll understand why timing is so important with offering an exclusive. Securing an exclusive depends on two factors: interest & availability. The writer needs to be both interested in the story and have the availability to announce in the desired timeline of the brand. If a brand offers an editor a scoop but only gives them two days to announce, the editor will have to weigh their interest against their likely-packed to-do list. Unless the story is ground-breaking, the to-do list will win. Publicists can often still place a last-minute exclusive announcement, but the more time given to offer, accept, interview and write the story will allow a wider selection of potential outlets interested in covering. Rules of an Exclusive To the media outsider, the concept of an “exclusive” may seem frivolous, but in fact, beneath the sensation-inciting word is a delicate etiquette and unspoken rules of an exclusive. An exclusive is a two-way street. Once an exclusive is secured, if either party were to go back on it – either the publicist offers it to another journalist who publishes first, or the writer publishes before the embargoed date which could cause legal ramifications for publicly traded companies – it would almost certainly sever the relationship (exceptions can arise but it’s a hail mary) and potentially harm the reputation of the brand/publicist or journalist/publication. Unless you’re working with an industry giant, political or cultural figure, or a celebrity, you likely won’t need to learn the term embargo but that comes into play when offering the exclusive if the information is so juicy the publisher would ignore the etiquette and timeline of an exclusive to immediately publish the news. In my experience, I rarely use the word embargo myself, but once I mention the exclusive, the journalist will usually agree to an embargo themselves before receiving the release. The first exclusive I ever placed on my own was a bit of a bumble along a learning curve. That is to say that exclusives can be intimidating and confusing for anyone not in media. For publicists however, this is our championship, our final battle. The day of an exclusive is both nerve-wracking and unbelievably rewarding. For a brand, a well-executed exclusive can be the difference between viral coverage and a press release that receives little traction. If you’re a vice brand hoping to navigate an upcoming announcement under the direction of a seasoned publicist, learn more about our services and schedule an intro call: https://www.melissaavitale.com/services.html
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