There are so many success stories of brands who have gone viral on TikTok with a simple video that flooded orders for their products to the extent of selling out or getting temporarily shut down by their bank under suspicion of fraud. As a millennial who witnessed the birth of Instagram, FaceBook and MySpace (remember when?) has seen social media platforms like SnapChat, Tumblr, Vine and Vimeo come and go from marketing significance, I am always personally fascinated by how brands utilize the latest social media craze to build a community, reach their target and even un-targeted audience, and gain global recognition with a few thoughtfully planned and well-timed posts. 

I currently have no desire to be a content creator, but I love to be a content consumer when I take short breaks in my day. Without a plan to add TikTok to my offerings of professional services, I personally have resisted downloading the TikTok app; the reposted Reels on Instagram are enough distraction for me. Many of my colleagues are freelancers who need to have an established personal brand on social media in order to get bylines in our ever-competitive media market. From watching Sex Writers and Sex Educators interact with TikTok, I've learned from their experiences what plant and intimate wellness accounts can expect when trying their hand at TikTok.

I've heard from cannabis and intimate wellness brands who have tried their hand at TikTok to promote their products that unlike instagram where you can link you products in a shoppable post, any links that lead to a page selling cannabis accessories or intimate wellness products has the risk of being taken down. Brand ambassadors promoting a product tend to have better success in a product going viral on TikTok as far as product promotion for plant and intimate wellness brands however, the product itself may not be able to be shown. For instance, content creators talking about a powerful orgasm from a specific toy won't show the actual toy but link to it or offer a discount code. I've seen cannabis brands have success posting about their products with an aggregator link like a blog post that has the shoppable link in the post. 

While Meta's Instagram and Facebook have clear guidelines for what can or cannot be included in posts like genitals including female nipples (though not male), and words like "sex", "porn", and "sex work", TikTok doesn't have a "nipple", or a clear framework for what will or will not be taken down. Educational content that is more informative than vulgar like how to put in a tampon or shop for condoms can be taken down while nudity has been left untouched for some creators. What many creators have noticed is that it depends on who is reporting you, unlike Instagram which uses content moderators and AI to snuff out content that they believe doesn't fit their guidelines. Instagram usually has some type of appeal process for when AI can't tell the difference between a rose and a vulva, or educational content gets taken down that doesn't actually violate the guidelines, but I've heard TikTok is different.  Once a video is gone, there's little opportunity for a repeal.

Limitations often breed innovation and TikTok's intimacy educators and plant wellness advocates have found ways to keep providing informative and destigmatizing content. However, these solutions often dilute the brand. Words and phrases like "Erotic", "Sex Work", "Sex" and "Porn" have been butchered to "Er(*)tic", "S/W", "Seggs" and "P*rn". For brands whose target audience is people on the internet like an advocacy group for online safety for sex workers or an accessibly priced vibrator that is an easy and no-remose impulse buy, these negotiations aren't horrible although casual viewers may not take the time to translate the censorship to engage with the content. On the other hand, marketers for a luxury vibrator brand wouldn't want their products being called a "Seggs Toy" as the brand didn't invest in luxury details to have their toy lumped in by association with thousands of products that don't have similar attention to detail and intuitive  innovation. 

Cannabis brands often have to blur out any cannabis, like nugs or ground up herb. If you're main product is cannabis,  you're blurring out your flagship products that set you apart and best-sellers with cult followings. Imagine if Hamburger Helper had to advertise on TV with their product blurred out. Subliminal messaging may work for a one-off experimental advertisement, but consistently wouldn't allow the brand to build global recognition. 

The long and short of it: if you have a talented social media manager who can spare a few moments to create a TikTok here or there, it's absolutely worth a try if your brand aligns with the internet censorship guidelines. Something to keep in mind however, since TikTok's censorship is not consistent, your favorite videos may be taken down without warning or opportunity to repeal the decision. TikTok accounts that garner the most views are posting consistently. 

 With continually reduced staff, freelance budgets and increased global events with local impact, in today's ever-evolving media market, public relations takes creative ideas, genuine relationship-building between a brand and reporter, with the biggest ingredient to successful story placements: time. Even with passionate interest from editors and journalist, a single evergreen profile can take six months from pitch to publication, which is why publicists often work multiple stories at a given time to ensure continued consistency in their results. One story may be in the fact-checking phase right before publication, another journalist is working on the pre-interview in preparation to pitch the story to their editor, and another editor may be arranging photography assets, which happens before fact-checking. The result for clients: a profile averaging every two to six months. 

With all those moving parts, it's no surprise that entrepreneurs want to take a pause from Public Relations during their slower seasons to maximize their rest. Despite the lack of revenue, Publicists often welcome a break from pitching a client especially if it's a short month or two-long pause. A break in your PR campaign can have benefits beyond recuperating before a busy season. For freelancer writers trying to find the right publication for their desired angle about a client, there is less pressure to find a home as soon as possible. They can take their time researching editors, asking for referrals, and crafting a perfect pitch without a million follow-ups from the publicist. For momentarily-deflated writers who have received passes on stories about the pausing client, a few months can turn the tide of social conversation where that angle would be timely and therefore accepted. 

Especially for single entrepreneurs in the need of a break from public relations from being burnt out with interviews, media interactions and creativity is severely effected, take a break from PR. Your publicist doesn't want an interviewee running on empty with runoff thoughts and missed key message opportunities. As entrepreneurs, we create our best with a full cup. A month of rest can lead to more money making opportunities with a creatively strategic mindset than when you're stretching your brainpower thin.  

If you've had a passing or invasive thought along the lines of "wow, if I do one more interview I'm going to scream into the abyss" or are starting to have anxiety nightmares revolving around press, definitely consider pausing your public relations campaign during your next slow season. Your sanity and publicist will thank you. Every publicist is different so inquire about your publicists expectations from taking a break. As long as you don't exceed two short breaks a year, taking a month or two long pause won't impact your campaign significantly, though it will delay it noticeably. Because of the multi-prong and long-lead nature of media relations, its no surprise that inconsistent public relations efforts yield inconsistent results. 

As mentioned above, during any given month, a publicist is working with a number of journalists and editors in various stages of writing a story about the client. Publicists typically work on about three to five stories per client per month. Many of those stories overflow to oncoming months.  When a client pauses, a publicist will inform every journalist that is working on a story that the client is taking a brief pause and intends to come back. Publicists must notify the journalists in regard to transparency in the relationship, in addition to avoid working without compensation. Often times, unless the story is already written and only awaiting photography and fact-checking, the journalists take the story off their pitch list and won’t pick it back up until they’re pitched by the publicist signifying the client has returned. That could extend a three to six month timeline for a story by the length of the pause, potentially longer if the pitch process takes longer with a change in social conversation.


If your business goals hinder on consistent profiles around your company, products or thought leadership regularly, consider talking to your publicist about a break in interviews rather than a break in services. Your publicist can continue to secure interest and line up interviews for you upon your return from your time away from interviews.

If you are moving forward with taking a break, be conscientious of timing. Public Relations agencies can have pauses when they are not taking new business. Publicists know to expect the unexpected and anticipate a revision or shift of strategy when a client resumes their campaign. When clients take a pause in their retainer, they can lose the privileges of clients - many agencies have set dates and times for discussing new business, even if you are a returning client. Have an idea of your restart date when you pause with your PR firm and give them enough [2+ weeks] notice when you're ready to return. 

Switching public relations firms between a break can maximize your time away from media relations when you're dissatisfied with your current service. The time away from pitching are ideal for any re-strategizing or passing off services to a new firm. Every public relations expert has different connections and areas where they exceed, therefore trying out a different PR firm can yield different and potentially better results. Before you switch, make sure to doublecheck fine print of your previous contract as well as your new contract. Always make sure there's an out to any multi-month or ongoing contract (15 - 30 days is desireable). Any contracts without a mutual resignation process in place is often a major red-flag in the PR industry. Note that when switching firms, stories being written with one PR firm usually don’t carry on if they’re before the photo and fact-checking process.

Unless you're running up credit, don't consider money when thinking about a pause. Because a single story can take six months from first pitch, taking a two month break can derail a number of stories already past the pitch or even interview process. Journalists don't know that a client is coming back, and therefore they may completely scrap the story and restart at the pitching process. Missing two months in PR can cost more in missed opportunity from potentially secured placements than two months of your PR retainer. 

Any good publicist can navigate breaks when their clients require it to keep going. Make the decision on taking a break from your public relations campaign based on your needs. 

By Melissa A Vitale 

Be sure to check out the first post in this series: PR Your Self: Social Media is your Bestie

Press Kits or Media Kits are a hotly debated topic in Public Relations. Some publicists swear by them and others refuse to rely on them. Most publicists fall somewhere in between: without an on-staff graphic designer, (which is rare for boutique PR operations) media kits can cause more problems then they solve. Publicists, if using them, don't need the fanciest media kit to relay the information to journalists and going back and forth with clients on design elements is a waste of time. However, if brands commission their own media kit from a talented graphic artist, a publicist will absolutely use a stellar existing brand representation. 

While a media-kit isn't a fix-all to getting press, it can help busy entrepreneurs and experts garner more media coverage without a publicist. If you have a detailed website showcasing services or products, you likely have enough to easily create your own media kit. A media kit is a PDF that includes images, relevant links and brief written information answering the Who, What, When, Where, and Why of a brand or individual for interested press. Media kits can help busy entrepreneurs automate the process for incoming press requests. When a journalist reaches out, you can send them your media kit to help them plan how they want to approach the story. Maybe they didn't know all the products you offered or all the expertise available. It moves the conversation along quicker than without one. 

Many journalists keep media kits on file for easy-reference when considering sources for a story. When starting their initial research on a company to profile, a media kit helps a journalist understand a birds-eye view of a company to help organize their thoughts. Journalists cold-outreaching to a company may search for the term "media kit" on the website to make sure the brand is press-friendly. A media kit signals to editors and writers that a brand or individual is media-ready. Having a media kit available won't immediately bring in press opportunities, but you'll be prepared to take advantage of them when they either come knocking, or if you find them through social media. 

While I do recommend you make a media kit, I don't recommend you put it on your website available for download. You won't know who's reading your media kit and what that information can do in their hands. While of course you don't want to include intellectual property in your media kit, you never know what a troll will do and you don't want your viral moment to be someone making fun of your hard-work. Instead, on a dedicated press page, include an email address that journalists can use to request a press kit or media kit. You'll want both of these terms on your website since some journalists use control+F or a google search to find what they're looking for. You don't want them to miss you because you used press instead of media kit and vice versa. To make sure journalists will reach out to request your Media Kit, create a dedicated press email that is separate from your general "contact us" email which may or may not be monitored. 

What to Include in your Media Kit: 
A media kit can be multi-page or a single page. You'll want to include the brand basics like logo, website, social media handles, and a brief company description or boiler plate that includes the brand's mission and background. A founder bio and "available for interview" is a must-include as well.  Available for Interviews--also shortened to AFI--is a short list of topics of expertise that a journalist could interview on for a relevant story. If you're a cannabis brand, you may be able to comment on consumer trends or market predictions. If you're a sex party host, you may have topics like consent and how to prepare for your first play party on your AFI.

If the company sells products, a media kit should include some lifestyle images of the different collections, in addition to stand out descriptions and prices of the brand's best-sellers. Along with showing pictures to keep your kit dynamic, provide links to a dropbox with high-resolution, photos that are already licensed for use in press. If the company owns cool locations like an aesthetically interesting warehouse, a farm, production facility etc, include a quick shot and description of those sites. Journalists often like to tour unique facilities for industry insider stories and including these can help spark an idea for an on-location shoot. Make sure to include any attention-grabbing metrics. If you're a podcast, include your listeners. If you're a brand, include your sales or revenue if you can. Finally, have a contact email for any press requests. It can be that same press email from your press page or you can give them the email of the CMO, publicist or co-founder for boutique brands. 

Assuming you have most of this information and content already, putting together a quality media kit can take a couple of hours. I always recommend taking a step away from the draft and coming back to it in a different mindset to make sure you love everything you included. This will be your presentation to journalists and editors who in-turn, could introduce you to the world. You obviously want to put your best foot forward. As for programs to create a media kit, if you're well-versed in Photoshop or LightRoom, feel free to use those or similar design program. If I just spoke Greek to you, Google Presentation or PowerPoint will work just fine. Pick a complimentary theme to your brand design and keep the lines aesthetically pleasing. It's better to have a longer media kit than one that looks like a page from "I Spy". 

Once you have a media kit, reach out to journalists you've worked with in the past, know in your network or have connected with on twitter. Check in to see how they're doing and send along your new media kit to show them you're ready for lights, camera, action!